GO HOME

Volcom 'Holy Smokes' tank, 'Runaways' jacket;

vintage/markets necklaces;

Rejoice the Hands

,

Millie Savage Silver

and vintage/markets rings. 

The world I know best feels softer, especially in summer. Although, I’m still afraid of snakes and I suffer in the midday sun, I can’t wait to get home to the places I navigate by instinct, and know as second nature.

There the water is gentler and the shade is sweeter. I know exactly the tree lines of the horizon even as I turn away from them; it’s the east and west I've looked to more times than anywhere else. I know what certain clouds foreshadow, and I know what changes in the weather taste like on the air. 

It is exactly how I remember summer.

Of course, I love summer for the sun that thaws out my now-southern bones. I like lazing in the afternoon sun with my dog, lying around on the grass and not caring about it sticking in my clothes. I like finally being able to swim again, anywhere, salt or fresh. I like drinking a cold beer and holding the can against my forehead between sips. I like John Lee Hooker playing while I’m making a cool, fresh salad in the shade of the kitchen. I like reading All the Pretty Horses, again, in front of a struggling pedestal fan. I like watching live music and feeling crowded and humid and young. I like stone fruit and will probably eat nectarines and cherries every day for the next couple of months. I like everything blossoming and verdant and giving off the heat of life that is photosynthesis, that is growing, that is energy transforming.

But most of all, what I like about summer, is going home. It’s sitting on my teenage bed, re-reading the books that changed my mind; it’s walking through my mother’s garden, and stealing my dad’s tins of beer; it’s looking at the bones and feathers and stones they've collected while I was gone. It’s the late sunset finally hushing the unbearable cicada chorus in the bushland behind the house, while we sit under lights in the back garden, ignoring flying Christmas beetles and picking apart fresh ocean fish. It’s walking across the paddocks, sharp with the sound of noonday crickets, to my sister’s house at the bottom of the hill – the first cute and creaking farmhouse my parents ever bought – with her dogs already out to greet me, and the plums and the mangoes and the mulberry trees all where they've always been.

LOVEABLE: NOVEMBER THINGS

Things that have been excellent in November: 

A new house in a new suburb, with crazy warped floors and a weird log-cabin vibe

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bushwalks with Humble and Scotty

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Talking Heads

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ciders in the sun in our back yard

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eating quesadillas and watching Louis Theroux

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this Coyote Negro ring

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this new shoot from Three Arrows Leather

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any image created by

Dana Trippe

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Chuck Palahniuk books

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stealing flowers from all the crazy gardens along our new street

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these Strong Medicine fire keepers at Sugarhigh and Lovestoned

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catching my housemate

Ben Whiting

 playing live shows around Melbourne

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this scaly-sequinned mermaid-on-the-morph dress from Portmans

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the new Volcom blog

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flicking through

Twoone’s new Psychological Portraits II

on a lazy daylight-savings afternoon

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Moroccan hair oil and coconut body mist from the Body Shop

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the buzzy, end-of-year anticipation feeling that has me daydreaming about drinking tins in the river on the farm and eating long lazy late-twilight dinners and laughing lots with my family …

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SKETCHBOOK: IN A NEW PLACE
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This week my usual sketchbook post has jumped over onto the Volcom blog, where it's in the company of radness among posts from artist Jamie Browne, typographer Gemma O'Brien and creative babe Billie Edwards, to name a couple.

Click here to check it out

 ... this is my first post from the cute back veranda of our new house, which is full of excellent creative mojo, strange bold birds, and late-spring sunshine.